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• Sales Rank: #2575164 in Books
• Binding: Hardcover

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• Published on: 1900
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• Sales Rank: #157610 in Books
• Published on: 2016-04-05
• Released on: 2016-04-05
• Original language: English
• Number of items: 1
• Dimensions: 7.00" h x .50" w x 5.00" l, .0 pounds
• Binding: Paperback
• 176 pages

About the Author
Samantha Jayne is an actress and writer living in Los Angeles. She's the creator of the popular Tumblr and Instagram Quarter Life Poetry, in which she documents the #struggles of adulthood through doodles and quatrains. Her work has been featured on Buzzfeed, Huffington Post, Hello Giggles, and shared across the web by disgruntled 20-somethings everywhere.

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0 of 0 people found the following review helpful.
Great coffee table book.
By Tyler M.
Very funny and a quick read. My girlfriend leaves it on her table at her hair salon. Clients enjoy it.

0 of 0 people found the following review helpful.
loved it.
By B.R.
so cute and funny. loved it, and so did the person i bought it for. I'm planning on buying another one soon!

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Five Stars
By Amazon Customer
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• Sales Rank: #402875 in Books
• Published on: 1963
• Binding: Hardcover

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• Sales Rank: #7472733 in Books
• Published on: 2005
• Binding: Paperback
• 268 pages

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• Sales Rank: #2726600 in Books
• Published on: 1999-04-15
• Binding: Paperback

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[W353.Ebook] Download The Archaeology of Ancient Greece (Cambridge World Archaeology), by Professor James Whitley

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The Archaeology of Ancient Greece provides an up-to-date synthesis of current research on the material culture of Greece in the Archaic and Classical periods. Its rich and diverse material has always provoked admiration and even wonder, but it is seldom analyzed as a key to our understanding of Greek civilization. Dr. Whitley shows how the material evidence can be used to address central historical questions for which literary evidence is often insufficient, and he also situates Greek art within the broader field of Greek material culture.

• Sales Rank: #757684 in Books
• Brand: Brand: Cambridge University Press
• Published on: 2001-11-05
• Released on: 2001-10-04
• Original language: English
• Number of items: 1
• Dimensions: 9.72" h x 1.02" w x 6.85" l, 2.00 pounds
• Binding: Paperback
• 512 pages

Features

• Used Book in Good Condition

Review
"It is an excellent account of what the discipline is, where it has been, and where it is now. Especially good is Whitley's tracking of the influences on the contemporary scene of science, structuralism, and the 'new' archeaology." Paul D. Scotton, University of Washington

"In this invaluable and long-needed book on Greek archaeology, Whitley begins with a discussion on the nature of classical art, then draws on his own expertise to present an outstanding account of the early development of Greek culture.... Accessible to a general archaeological readership, this book is essential for academic libraries, where it will become a standard sourcebook." Choice

About the Author
James Whitley is Lecturer in Mediterranean Archaeology, Cardiff University. He is the author of Style in Society in Dark Age Greece (1991).

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14 of 14 people found the following review helpful.
Tell me more !! Tell me more !!
By ex nihilo
This book is mainly a general synthesis of the state of archaeological knowledge and research on the Greek Archaic and Classical periods, with some great explanation of the most important controversies (such as the gender division in society, the continuity of religion from the Dark Age, or the Orientalizing influence, etc) to be found in the study of this culture and period. However, the author takes great pains with his writing, so as not to have another dry accademic book with piles of extremely interesting information buried under tones of arid sentences.

As a result, you soon find yourself immerse in a fascinating, colourful world, so different from what many classicists want to give as as "Classic Greek Culture" as to really be a totally "New World". Here, temples and stoas are painted in bright colours, fire-eaters and dancers perform in the Agoras next to philosophers who discuss ethics. This is not, however, a way to make Greek culture look less important than it was. I think the author succeeds in communicating to his readers what the archaeologists have known for some time. These very same archaeologists, though, had to first overcome the reticence shown by the "Classicist Establishment" to consider the overwhelming evidence that Ancient Greece had very little to do with what they had been teaching at Western universities for decades (if not centuries).

Thus, the author begins his book by making the point that much of the vision of "Classical Greece" that we have inherited is really a 18th-century-cum-Victorian Eurocentrist construct, a somewhat imperialistic (one could even say [...]?)ideal of what a "perfect society" should be, and an excuse to model many typical western institutions on.

But don't get the wrong idea that this is the aim of the book. As I said before, the author just intends to give an up-to-date synthesis on what archaeologists have to say. Of course, when the subject is one so dear to,and near, the very core of European identity, controversy is unavoidable. Whitley just states the most important of these controversies, but sometimes, and although he doesn't seem keen on taking positions, his own views show through.

On the whole, the world glimpsed through the pages of this book is so fascinating that I found I needed to know more about some of the issues, so I went to the "Further reading for each chapter" section, and now have a nice pile of books to read on the subjects of Greek Sanctuaries (a truly fascinating topic, especially once you've visited Delphi).

I recomend this book for people who are intersted in the subject and want to have up-to-date information, but also as a well-written, never boring introduction to the wonders of Ancient Greece, a culture that, even if we don't know it, is part of ourselves and does not deserve the many clichés we have attached to it.....It needs to be better known....just as we need to know it better

2 of 2 people found the following review helpful.
Ideal for searchears and scholars
By Peixoto - SPQR
The archaeology of Ancient Greece by James Whitley is a classic.
It provides to the reader a general view of the studies of greek ware, of the historiografy and the recent studies abouth the theme.

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[U564.Ebook] Download Ebook Film Sound: Theory and PracticeFrom Columbia University Press

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-- Film Quarterly

• Sales Rank: #664847 in Books
• Published on: 1985-04-15
• Released on: 1985-09-05
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.08" w x 5.75" l, 1.37 pounds
• Binding: Paperback
• 462 pages

Review

An extremely useful and wide-ranging collection of essays devoted to a topic often ignored or taken for granted by visually-dominated studies of the moving picture...

(Gerald Mast, University of Chicago)

Both comprehensive in its choice of readings and creative in its editorial approach... Film Sound, as well as being an eminent introduction to the writings in the field, forcefully demonstrates the need for the study of the media to be both textually and institutionally grounded, and both theoretically and historically informed.

(Richard Allen Framework)

Indispensable... [a] superb collection of essays.... An important contribution to our literature on film theory and practice and... necessary reading for anyone interested in the art and the practice of filmmaking.

(Journal of Popular Film and Television)

Film Sound is a pleasure to read. In addition, the book's general organization and range of selections present an accurate summary of the development of film sound and attitudes toward it from the late twenties to the eighties. For anyone interested in finding ways out of the present theoretical confusion, Film Sound is an excellent place to start.

(Film Quarterly)

Convincingly suggests that an exciting new field has been opened up, one that may well come to determine the way we look at the cinema as a whole.... [Film Sound] pays attention to the new technologies as they affect not only the cinema but also how we come to view its history.

(Sight and Sound)

From the Back Cover
The only comprehensive book on film sound, this anthology makes available for the first time and in a single volume major essays by the most respected film historians, aestheticians, and theorists of the past sixty years.

About the Author

Elisabeth Weis is professor of film at Brooklyn College and the Graduate Center of the City University of New York and executive director of the National Society of Film Critics. She has written or edited books on sound, comedy, and star acting. John Belton is professor of English and film at Rutgers University and the author of five books, including Widescreen Cinema, winner of the Kraszna-Krausz prize for books on the moving image, and American Cinema/American Culture, a textbook accompanying the PBS series American Cinema. He has also edited three books, including Alfred Hitchcock's Rear Window, and is associate editor of the journal Film History.

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8 of 8 people found the following review helpful.
Ear-opening
By T. Nicholas
I got this book because after 4 years of film school, I still felt as if I had been shortchanged when it came to learning sound design. I had been taught how to record and edit sound, been taught how to do ADR, been taught all the different types of microphones; but I still didn't know WHY to use one type of microphone over another, WHY using an omnidirectional, or a shotgun, or a lavalier mic would change the feel of a scene (and how this would in turn change depending on whether that sound was being matched with a closeup or a long shot). In short, I was never taught the aesthetic significance behind any of the options I was presented with. My formal education on the topic had been entirely technical. As the editors make clear in the preface to this anthology, it was their attempt to compile a book "addressed to aestheticians rather than technicians." At this they've done an incredible job.

The scope is broad - covering theory, practice, history, as well as the technological side - different essays focusing on individual films, directors, genres, historical periods or the medium as a whole. The viewpoints of the authors are also as diverse as anything you'll find in film studies generally, ranging from Marxist, formalist and psychoanalytic analysis to more straightforward historical or technical writing.

As a filmmaker, this book has been eye opening (or should I say ear opening?). For the first time I am finally able to think about sound design in the same way that I think about any other element of a film. Since starting to read the book, I've paid more attention to the sound design in all of the films I've watched.

This book was written in 1985. No doubt does this mean that innovations in the field since 1985 (most notably the dawn of digital editing and sound mixing) are left out from the book. But even so, if you are a filmmaker who is looking to gain some insight into what film sound is all about, this is an excellent place to start.

10 of 20 people found the following review helpful.
Table of Contents
By Curupira
Part I. History, Technology, and Aesthetics

Introduction
The Coming of Sound: Technological Change in the American Film Industry, by Douglas Gomery
Economic Struggle and Hollywood Imperialism: Europe Converts to Sound, by Douglas Gomery
Film Style and Technology in the Thirties: Sound, by Barry Salt
The Evolution of Sound Technology, by Rick Altman
Ideology and the Practice of Sound Editing and Mixing, by Mary Ann Doane
Technology and Aesthetics of Film Sound, by John Belton

Part II: Theory

Section 1: Classical Sound Theory
A Statement, by S. M. Eisenstein, V. I. Pudovkin, and G. V. Alexandrov
Asynchronism as a Principle of Sound Film, by V. I. Pudovkin
The Art of Sound, by René Clair
Manifesto: Dialogue on Sound, by Basil Wright and B. Vivian Braun
Sound in Films, by Alberto Cavalcanti
A New Laocoön: Artistic Composites and the Talking Film, by Rudolph Arnheim
Theory of Film: Sound, by Bela Balazs
Dialogue and Sound, by Siegfried Kracauer
Slow-Motion Sound, by Jean Epstein

Section 2: Modern Sound Theory
Notes on Sound, by Robert Bresson
Direct Sound: An Interview with, by Jean-Marie Straub and Danièle Huillet
Aural Objects, by Christian Metz
The Voice in the Cinema: The Articulation of Body and Space, by Mary Ann Doane

Part III: Practice

Section I: Practice and Methodology
Fundamental Aesthetics of Sound in the Cinema, by David Bordwell and Kristin Thompson
On the Structural Use of Sound, by Noël Burch

Section 2: Pioneers
The Movies Learn to Talk: Ernst Lubitsch, René Clair, and Rouben Mamoulian, by Arthur Knight
American Sound Films, 1926-1930,, by Ron Mottram
Applause: The Visual and Acoustic Landscape, by Lucy Fischer
Enthusiasm: From Kino-Eye to Radio Eye, by Lucy Fischer
Lang and Pabst: Paradigms for Early Sound Practice, by Noël Carroll
The Voice of Silence: Sound Style in John Stahl's Back Street, by Martin Rubin

Section 3: Stylists
Orson Welles' Use of Sound, by Penny Mintz
The Evolution of Hitchcock's Aural Style and Sound in The Birds, by Elisabeth Weis
The Sound Track of The Rules of the Game, by Michael Litle
Sound in Bresson's Mouchette, by Lindley Hanlon
Godard's Use of Sound, by Alan Williams
Section 4: Contemporary Innovators
Altman, Dolby, and the Second Sound Revolution, by Charles Schreger
Sound Mixing and Apocalypse Now: An Interview with Walter Murch, by Frank Paine
The Sound Designer, by Marc Mancini
Sound and Silence in Narrative and Nonnarrative Cinema, by Fred Camper

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